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uplo-3858-m-15-97838376619720301Ubiquity Press15978383766197201internal-reference38580610.1515/9783839461976BCB20201Publisher’s corporate websitehttps://uplopen.com02Publisher’s website for a specified workhttps://uplopen.com/books/m/10.1515/97838394619761A01Lisa GottoLisaGottoLisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.01eng26823User DefinedHistory23User DefinedMedia Theory23User DefinedCultural Studies23User DefinedMedia Studies23User DefinedGenres23User DefinedGenres other23User DefinedTopics in History23User DefinedPhilisophy23User DefinedExile History23User DefinedArts23User DefinedPhilosophy of Science12Film12Television12Media12Culture12Digital Media12Media Studies12Popular Culture12Media Aesthetics12Social Networks10ART02800010HIS05400010PHI00000010SOC05200093AGZ93JBCT93NHTB93QD01010302We witness an era with more screens than ever before, and within each screen, a multitude of visual varieties. Lisa Gotto investigates this medial diversity as a field of tension between large and small forms of digital image culture. This includes, on the one hand, the immersive potential of large image arrangements, such as digital 3D cinema, and, on the other hand, the compactness of mobile image forms, such as those of the smartphone film or the media practices of Instagram. Weaving together a rich variety of examples and sources, this book presents a multifaceted collection of essays that explore the transformational potential of digital media culture, contextualize its media-technical conditions, and reflect on its social consequences. Reviews »Eine Reflektion zu den Fragen digitaler Medien und der mit ihnen einhergehenden kulturellen Praktiken, die nicht nur Sehgewohnheiten, sondern auch Erzähltraditionen und Alltagspraktiken erheblich verändern.«0202We witness an era with more screens than ever before, and within each screen, a multitude of visual varieties. Lisa Gotto investigates this medial diversity as a field of tension between large and small forms of digital image culture. This includes, on the one hand, the immersive potential of large image arrangements, such as digital 3D cinema, and, on the other hand, the compactness of mobile image forms, such as those of the smartphone film or the media practices of Instagram. Weaving together a rich variety of examples and sources, this book presents a multifaceted collection of essays that explore the transformational potential of digital media culture, contextualize its media-technical conditions, and reflect on its social consequences.04Frontmatter Contents Introduction Fantastic Views Attraction, Simulation, Speculation Incorporations Dimension and Duration The (Imaginary) Man of (Hollywood) Cinema Back to the Beginning Scars and Screens Prescripts and Postscripts Tipp-Ex Micro Movies Strike a Pose Instagramming Right here, Right now Types and Bytes Touch / Don’t Touch Going in Circles Publication Data List of Figures46http://creativecommons.org/licenses/by/4.0/47Creative Commons Attribution (CC BY)040301https://storage.googleapis.com/rua-uplo/files/media/cover_images/5466aa31-ed5f-485e-aafe-8d0fe426402e.jpgtranscript Verlag01transcript Verlag01Publisher’s corporate websitehttps://uplopen.com02Publisher’s website for a specified workhttps://uplopen.com/books/m/10.1515/9783839461976Bielefeld, Germany0420220720026in030.75in080.8lb018.75in13159783839461976uplo-3858-m-15-97838394619760301Ubiquity Press15978383946197601internal-reference38580610.1515/9783839461976DGE20100201Publisher’s corporate websitehttps://uplopen.com02Publisher’s website for a specified workhttps://uplopen.com/books/m/10.1515/97838394619761A01Lisa GottoLisaGottoLisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.01eng26823User DefinedHistory23User DefinedMedia Theory23User DefinedCultural Studies23User DefinedMedia Studies23User DefinedGenres23User DefinedGenres other23User DefinedTopics in History23User DefinedPhilisophy23User DefinedExile History23User DefinedArts23User DefinedPhilosophy of Science12Film12Television12Media12Culture12Digital Media12Media Studies12Popular Culture12Media Aesthetics12Social Networks10ART02800010HIS05400010PHI00000010SOC05200093AGZ93JBCT93NHTB93QD01010302We witness an era with more screens than ever before, and within each screen, a multitude of visual varieties. Lisa Gotto investigates this medial diversity as a field of tension between large and small forms of digital image culture. This includes, on the one hand, the immersive potential of large image arrangements, such as digital 3D cinema, and, on the other hand, the compactness of mobile image forms, such as those of the smartphone film or the media practices of Instagram. Weaving together a rich variety of examples and sources, this book presents a multifaceted collection of essays that explore the transformational potential of digital media culture, contextualize its media-technical conditions, and reflect on its social consequences. Reviews »Eine Reflektion zu den Fragen digitaler Medien und der mit ihnen einhergehenden kulturellen Praktiken, die nicht nur Sehgewohnheiten, sondern auch Erzähltraditionen und Alltagspraktiken erheblich verändern.«0202We witness an era with more screens than ever before, and within each screen, a multitude of visual varieties. Lisa Gotto investigates this medial diversity as a field of tension between large and small forms of digital image culture. This includes, on the one hand, the immersive potential of large image arrangements, such as digital 3D cinema, and, on the other hand, the compactness of mobile image forms, such as those of the smartphone film or the media practices of Instagram. Weaving together a rich variety of examples and sources, this book presents a multifaceted collection of essays that explore the transformational potential of digital media culture, contextualize its media-technical conditions, and reflect on its social consequences.04Frontmatter Contents Introduction Fantastic Views Attraction, Simulation, Speculation Incorporations Dimension and Duration The (Imaginary) Man of (Hollywood) Cinema Back to the Beginning Scars and Screens Prescripts and Postscripts Tipp-Ex Micro Movies Strike a Pose Instagramming Right here, Right now Types and Bytes Touch / Don’t Touch Going in Circles Publication Data List of Figures46http://creativecommons.org/licenses/by/4.0/47Creative Commons Attribution (CC BY)040301https://storage.googleapis.com/rua-uplo/files/media/cover_images/5466aa31-ed5f-485e-aafe-8d0fe426402e.jpgtranscript Verlag01transcript Verlag01Publisher’s corporate websitehttps://uplopen.com02Publisher’s website for a specified workhttps://uplopen.com/books/m/10.1515/9783839461976Bielefeld, Germany042022072006159783837661972