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<ONIXMessage release="3.0" xmlns="http://ns.editeur.org/onix/3.0/reference"><Header><Sender><SenderName>Ubiquity Press</SenderName><EmailAddress>tech@ubiquitypress.com</EmailAddress></Sender><SentDateTime>20260427T185103</SentDateTime><MessageNote>Generated by RUA metadata exporter</MessageNote></Header><Product><RecordReference>uplo-3858-m-15-9783837661972</RecordReference><NotificationType>03</NotificationType><RecordSourceType>01</RecordSourceType><ProductIdentifier><ProductIDType>15</ProductIDType><IDValue>9783837661972</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>internal-reference</IDTypeName><IDValue>3858</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>06</ProductIDType><IDValue>10.1515/9783839461976</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>BC</ProductForm><ProductFormDetail>B202</ProductFormDetail><PrimaryContentType>10</PrimaryContentType><Measure><MeasureType>02</MeasureType><Measurement>6</Measurement><MeasureUnitCode>in</MeasureUnitCode></Measure><Measure><MeasureType>03</MeasureType><Measurement>0.75</Measurement><MeasureUnitCode>in</MeasureUnitCode></Measure><Measure><MeasureType>08</MeasureType><Measurement>0.8</Measurement><MeasureUnitCode>lb</MeasureUnitCode></Measure><Measure><MeasureType>01</MeasureType><Measurement>8.75</Measurement><MeasureUnitCode>in</MeasureUnitCode></Measure><EpubLicense><EpubLicenseName>Creative Commons Attribution (CC BY)</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>02</EpubLicenseExpressionType><EpubLicenseExpressionLink>http://creativecommons.org/licenses/by/4.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Big Screens, Small Forms</TitleText><Subtitle>Visual Varieties in Digital Media Culture</Subtitle></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Extent><ExtentType>00</ExtentType><ExtentValue>268</ExtentValue><ExtentUnit>03</ExtentUnit></Extent><Subject><SubjectSchemeIdentifier>23</SubjectSchemeIdentifier><SubjectSchemeName>User Defined</SubjectSchemeName><SubjectCode>History</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>23</SubjectSchemeIdentifier><SubjectSchemeName>User Defined</SubjectSchemeName><SubjectCode>Media Theory</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>23</SubjectSchemeIdentifier><SubjectSchemeName>User Defined</SubjectSchemeName><SubjectCode>Cultural Studies</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>23</SubjectSchemeIdentifier><SubjectSchemeName>User Defined</SubjectSchemeName><SubjectCode>Media Studies</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>23</SubjectSchemeIdentifier><SubjectSchemeName>User Defined</SubjectSchemeName><SubjectCode>Genres</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>23</SubjectSchemeIdentifier><SubjectSchemeName>User Defined</SubjectSchemeName><SubjectCode>Genres other</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>23</SubjectSchemeIdentifier><SubjectSchemeName>User Defined</SubjectSchemeName><SubjectCode>Topics in History</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>23</SubjectSchemeIdentifier><SubjectSchemeName>User Defined</SubjectSchemeName><SubjectCode>Philisophy</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>23</SubjectSchemeIdentifier><SubjectSchemeName>User Defined</SubjectSchemeName><SubjectCode>Exile History</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>23</SubjectSchemeIdentifier><SubjectSchemeName>User Defined</SubjectSchemeName><SubjectCode>Arts</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>23</SubjectSchemeIdentifier><SubjectSchemeName>User Defined</SubjectSchemeName><SubjectCode>Philosophy of Science</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>12</SubjectSchemeIdentifier><SubjectCode>Film</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>12</SubjectSchemeIdentifier><SubjectCode>Television</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>12</SubjectSchemeIdentifier><SubjectCode>Media</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>12</SubjectSchemeIdentifier><SubjectCode>Culture</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>12</SubjectSchemeIdentifier><SubjectCode>Digital Media</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>12</SubjectSchemeIdentifier><SubjectCode>Media Studies</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>12</SubjectSchemeIdentifier><SubjectCode>Popular Culture</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>12</SubjectSchemeIdentifier><SubjectCode>Media Aesthetics</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>12</SubjectSchemeIdentifier><SubjectCode>Social Networks</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>ART028000</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>HIS054000</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>PHI000000</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>SOC052000</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>93</SubjectSchemeIdentifier><SubjectCode>AGZ</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>93</SubjectSchemeIdentifier><SubjectCode>JBCT</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>93</SubjectSchemeIdentifier><SubjectCode>NHTB</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>93</SubjectSchemeIdentifier><SubjectCode>QD</SubjectCode></Subject><Audience><AudienceCodeType>01</AudienceCodeType><AudienceCodeValue>01</AudienceCodeValue></Audience></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text>We witness an era with more screens than ever before, and within each screen, a multitude of visual varieties. Lisa Gotto investigates this medial diversity as a field of tension between large and small forms of digital image culture. This includes, on the one hand, the immersive potential of large image arrangements, such as digital 3D cinema, and, on the other hand, the compactness of mobile image forms, such as those of the smartphone film or the media practices of Instagram. Weaving together a rich variety of examples and sources, this book presents a multifaceted collection of essays that explore the transformational potential of digital media culture, contextualize its media-technical conditions, and reflect on its social consequences.

Reviews
»Eine Reflektion zu den Fragen digitaler Medien und der mit ihnen einhergehenden kulturellen Praktiken, die nicht nur Sehgewohnheiten, sondern auch Erzähltraditionen und Alltagspraktiken erheblich verändern.«</Text></TextContent><TextContent><TextType>02</TextType><ContentAudience>00</ContentAudience><Text>We witness an era with more screens than ever before, and within each screen, a multitude of visual varieties. Lisa Gotto investigates this medial diversity as a field of tension between large and small forms of digital image culture. This includes, on the one hand, the immersive potential of large image arrangements, such as digital 3D cinema, and, on the other hand, the compactness of mobile image forms, such as those of the smartphone film or the media practices of Instagram. Weaving together a rich variety of examples and sources, this book presents a multifaceted collection of essays that explore the transformational potential of digital media culture, contextualize its media-technical conditions, and reflect on its social consequences.</Text></TextContent><TextContent><TextType>04</TextType><ContentAudience>00</ContentAudience><Text>Frontmatter
Contents
Introduction
Fantastic Views
Attraction, Simulation, Speculation
Incorporations
Dimension and Duration
The (Imaginary) Man of (Hollywood) Cinema
Back to the Beginning
Scars and Screens
Prescripts and Postscripts
Tipp-Ex
Micro Movies
Strike a Pose
Instagramming
Right here, Right now
Types and Bytes
Touch / Don’t Touch
Going in Circles
Publication Data
List of Figures</Text></TextContent><TextContent><TextType>30</TextType><ContentAudience>00</ContentAudience><Text>We witness an era with more screens than ever before, and within each screen, a multitude of visual varieties. Lisa Gotto investigates this medial diversity as a field of tension between large and small forms of digital image culture. This includes, on the one hand, the immersive potential of large image arrangements, such as digital 3D cinema, and, on the other hand, the compactness of mobile image forms, such as those of the smartphone film or the media practices of Instagram. Weaving together a rich variety of examples and sources, this book presents a multifaceted collection of essays that explore the transformational potential of digital media culture, contextualize its media-technical conditions, and reflect on its social consequences.

Reviews
»Eine Reflektion zu den Fragen digitaler Medien und der mit ihnen einhergehenden kulturellen Praktiken, die nicht nur Sehgewohnheiten, sondern auch Erzähltraditionen und Alltagspraktiken erheblich verändern.«</Text></TextContent><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>02</ResourceForm><ResourceLink>https://storage.googleapis.com/rua-uplo/files/media/cover_images/5466aa31-ed5f-485e-aafe-8d0fe426402e.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><ContentDetail><ContentItem><LevelSequenceNumber>1</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-fm</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Frontmatter</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>2</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-toc</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Contents</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>3</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-001</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Introduction</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>4</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-002</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Fantastic Views</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>5</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-003</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Attraction, Simulation, Speculation</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>6</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-004</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Incorporations</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>7</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-005</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Dimension and Duration</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>8</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-006</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>The (Imaginary) Man of (Hollywood) Cinema</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>9</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-007</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Back to the Beginning</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>10</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-008</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Scars and Screens</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>11</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-009</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Prescripts and Postscripts</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>12</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-010</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Tipp-Ex</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>13</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-011</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Micro Movies</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>14</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-012</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Strike a Pose</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>15</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-013</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Instagramming</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>16</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-014</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Right here, Right now</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>17</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-015</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Types and Bytes</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>18</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-016</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Touch / Don’t Touch</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>19</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-017</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Going in Circles</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>20</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-018</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Publication Data</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>21</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-019</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>List of Figures</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem></ContentDetail><PublishingDetail><Imprint><ImprintIdentifier><ImprintIDType>01</ImprintIDType><IDTypeName>URL</IDTypeName><IDValue>https://www.transcript-verlag.de/</IDValue></ImprintIdentifier><ImprintName>transcript Verlag</ImprintName></Imprint><Publisher><PublishingRole>01</PublishingRole><PublisherName>transcript Verlag</PublisherName><Website><WebsiteRole>01</WebsiteRole><WebsiteDescription>Publisher’s corporate website</WebsiteDescription><WebsiteLink>https://uplopen.com</WebsiteLink></Website><Website><WebsiteRole>02</WebsiteRole><WebsiteDescription>Publisher’s website for a specified work</WebsiteDescription><WebsiteLink>https://uplopen.com/books/m/10.1515/9783839461976</WebsiteLink></Website></Publisher><CityOfPublication>Bielefeld, Germany</CityOfPublication><PublishingStatus>04</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date dateformat="00">20220720</Date></PublishingDate><CopyrightStatement><CopyrightOwner><PersonName>The Author(s)</PersonName></CopyrightOwner></CopyrightStatement><SalesRights><SalesRightsType>02</SalesRightsType><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></SalesRights></PublishingDetail><RelatedMaterial><RelatedProduct><ProductRelationCode>06</ProductRelationCode><ProductIdentifier><ProductIDType>15</ProductIDType><IDValue>9783839461976</IDValue></ProductIdentifier></RelatedProduct></RelatedMaterial><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unknown</SupplierName></Supplier><ProductAvailability>20</ProductAvailability><SupplyDate><SupplyDateRole>08</SupplyDateRole><Date dateformat="00">20220720</Date></SupplyDate><UnpricedItemType>08</UnpricedItemType></SupplyDetail></ProductSupply></Product><Product><RecordReference>uplo-3858-m-15-9783839461976</RecordReference><NotificationType>03</NotificationType><RecordSourceType>01</RecordSourceType><ProductIdentifier><ProductIDType>15</ProductIDType><IDValue>9783839461976</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>internal-reference</IDTypeName><IDValue>3858</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>06</ProductIDType><IDValue>10.1515/9783839461976</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>EB</ProductForm><ProductFormDetail>E107</ProductFormDetail><PrimaryContentType>10</PrimaryContentType><EpubLicense><EpubLicenseName>Creative Commons Attribution (CC BY)</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>02</EpubLicenseExpressionType><EpubLicenseExpressionLink>http://creativecommons.org/licenses/by/4.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Big Screens, Small Forms</TitleText><Subtitle>Visual Varieties in Digital Media Culture</Subtitle></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Extent><ExtentType>00</ExtentType><ExtentValue>268</ExtentValue><ExtentUnit>03</ExtentUnit></Extent><Subject><SubjectSchemeIdentifier>23</SubjectSchemeIdentifier><SubjectSchemeName>User Defined</SubjectSchemeName><SubjectCode>History</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>23</SubjectSchemeIdentifier><SubjectSchemeName>User Defined</SubjectSchemeName><SubjectCode>Media Theory</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>23</SubjectSchemeIdentifier><SubjectSchemeName>User Defined</SubjectSchemeName><SubjectCode>Cultural Studies</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>23</SubjectSchemeIdentifier><SubjectSchemeName>User Defined</SubjectSchemeName><SubjectCode>Media Studies</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>23</SubjectSchemeIdentifier><SubjectSchemeName>User Defined</SubjectSchemeName><SubjectCode>Genres</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>23</SubjectSchemeIdentifier><SubjectSchemeName>User Defined</SubjectSchemeName><SubjectCode>Genres other</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>23</SubjectSchemeIdentifier><SubjectSchemeName>User Defined</SubjectSchemeName><SubjectCode>Topics in History</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>23</SubjectSchemeIdentifier><SubjectSchemeName>User Defined</SubjectSchemeName><SubjectCode>Philisophy</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>23</SubjectSchemeIdentifier><SubjectSchemeName>User Defined</SubjectSchemeName><SubjectCode>Exile History</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>23</SubjectSchemeIdentifier><SubjectSchemeName>User Defined</SubjectSchemeName><SubjectCode>Arts</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>23</SubjectSchemeIdentifier><SubjectSchemeName>User Defined</SubjectSchemeName><SubjectCode>Philosophy of Science</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>12</SubjectSchemeIdentifier><SubjectCode>Film</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>12</SubjectSchemeIdentifier><SubjectCode>Television</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>12</SubjectSchemeIdentifier><SubjectCode>Media</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>12</SubjectSchemeIdentifier><SubjectCode>Culture</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>12</SubjectSchemeIdentifier><SubjectCode>Digital Media</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>12</SubjectSchemeIdentifier><SubjectCode>Media Studies</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>12</SubjectSchemeIdentifier><SubjectCode>Popular Culture</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>12</SubjectSchemeIdentifier><SubjectCode>Media Aesthetics</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>12</SubjectSchemeIdentifier><SubjectCode>Social Networks</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>ART028000</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>HIS054000</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>PHI000000</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>SOC052000</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>93</SubjectSchemeIdentifier><SubjectCode>AGZ</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>93</SubjectSchemeIdentifier><SubjectCode>JBCT</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>93</SubjectSchemeIdentifier><SubjectCode>NHTB</SubjectCode></Subject><Subject><SubjectSchemeIdentifier>93</SubjectSchemeIdentifier><SubjectCode>QD</SubjectCode></Subject><Audience><AudienceCodeType>01</AudienceCodeType><AudienceCodeValue>01</AudienceCodeValue></Audience></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text>We witness an era with more screens than ever before, and within each screen, a multitude of visual varieties. Lisa Gotto investigates this medial diversity as a field of tension between large and small forms of digital image culture. This includes, on the one hand, the immersive potential of large image arrangements, such as digital 3D cinema, and, on the other hand, the compactness of mobile image forms, such as those of the smartphone film or the media practices of Instagram. Weaving together a rich variety of examples and sources, this book presents a multifaceted collection of essays that explore the transformational potential of digital media culture, contextualize its media-technical conditions, and reflect on its social consequences.

Reviews
»Eine Reflektion zu den Fragen digitaler Medien und der mit ihnen einhergehenden kulturellen Praktiken, die nicht nur Sehgewohnheiten, sondern auch Erzähltraditionen und Alltagspraktiken erheblich verändern.«</Text></TextContent><TextContent><TextType>02</TextType><ContentAudience>00</ContentAudience><Text>We witness an era with more screens than ever before, and within each screen, a multitude of visual varieties. Lisa Gotto investigates this medial diversity as a field of tension between large and small forms of digital image culture. This includes, on the one hand, the immersive potential of large image arrangements, such as digital 3D cinema, and, on the other hand, the compactness of mobile image forms, such as those of the smartphone film or the media practices of Instagram. Weaving together a rich variety of examples and sources, this book presents a multifaceted collection of essays that explore the transformational potential of digital media culture, contextualize its media-technical conditions, and reflect on its social consequences.</Text></TextContent><TextContent><TextType>04</TextType><ContentAudience>00</ContentAudience><Text>Frontmatter
Contents
Introduction
Fantastic Views
Attraction, Simulation, Speculation
Incorporations
Dimension and Duration
The (Imaginary) Man of (Hollywood) Cinema
Back to the Beginning
Scars and Screens
Prescripts and Postscripts
Tipp-Ex
Micro Movies
Strike a Pose
Instagramming
Right here, Right now
Types and Bytes
Touch / Don’t Touch
Going in Circles
Publication Data
List of Figures</Text></TextContent><TextContent><TextType>30</TextType><ContentAudience>00</ContentAudience><Text>We witness an era with more screens than ever before, and within each screen, a multitude of visual varieties. Lisa Gotto investigates this medial diversity as a field of tension between large and small forms of digital image culture. This includes, on the one hand, the immersive potential of large image arrangements, such as digital 3D cinema, and, on the other hand, the compactness of mobile image forms, such as those of the smartphone film or the media practices of Instagram. Weaving together a rich variety of examples and sources, this book presents a multifaceted collection of essays that explore the transformational potential of digital media culture, contextualize its media-technical conditions, and reflect on its social consequences.

Reviews
»Eine Reflektion zu den Fragen digitaler Medien und der mit ihnen einhergehenden kulturellen Praktiken, die nicht nur Sehgewohnheiten, sondern auch Erzähltraditionen und Alltagspraktiken erheblich verändern.«</Text></TextContent><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>02</ResourceForm><ResourceLink>https://storage.googleapis.com/rua-uplo/files/media/cover_images/5466aa31-ed5f-485e-aafe-8d0fe426402e.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><ContentDetail><ContentItem><LevelSequenceNumber>1</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-fm</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Frontmatter</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>2</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-toc</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Contents</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>3</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-001</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Introduction</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>4</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-002</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Fantastic Views</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>5</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-003</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Attraction, Simulation, Speculation</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>6</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-004</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Incorporations</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>7</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-005</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Dimension and Duration</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>8</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-006</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>The (Imaginary) Man of (Hollywood) Cinema</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>9</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-007</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Back to the Beginning</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>10</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-008</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Scars and Screens</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>11</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-009</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Prescripts and Postscripts</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>12</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-010</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Tipp-Ex</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>13</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-011</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Micro Movies</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>14</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-012</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Strike a Pose</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>15</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-013</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Instagramming</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>16</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-014</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Right here, Right now</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>17</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-015</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Types and Bytes</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>18</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-016</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Touch / Don’t Touch</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>19</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-017</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Going in Circles</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>20</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-018</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Publication Data</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. Ihre Forschungsschwerpunkte sind Filmtheorie, Bewegtbildästhetik und Digitale Medienkultur.</BiographicalNote></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><TextContent><TextType>20</TextType><ContentAudience>00</ContentAudience><Text>Open Access</Text></TextContent></ContentItem><ContentItem><LevelSequenceNumber>21</LevelSequenceNumber><TextItem><TextItemType>03</TextItemType><TextItemIdentifier><TextItemIDType>06</TextItemIDType><IDValue>10.1515/9783839461976-019</IDValue></TextItemIdentifier></TextItem><ComponentTypeName>Chapter</ComponentTypeName><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>List of Figures</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Lisa Gotto</PersonName><NamesBeforeKey>Lisa</NamesBeforeKey><KeyNames>Gotto</KeyNames><BiographicalNote>Lisa Gotto (Prof. Dr. phil.) ist Professorin für Theorie des Films an der Universität Wien. 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