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<doi_batch xmlns="http://www.crossref.org/schema/5.4.0" xmlns:ai="http://www.crossref.org/AccessIndicators.xsd" xmlns:jats="http://www.ncbi.nlm.nih.gov/JATS1" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.crossref.org/schema/5.4.0 http://data.crossref.org/schemas/crossref5.4.0.xsd" version="5.4.0"><head><doi_batch_id>ad8661be-8c73-421a-b88d-8523ad2d8bc2</doi_batch_id><timestamp>20260508145938</timestamp><depositor><depositor_name>Depositor Name</depositor_name><email_address>depositor_email@address.com</email_address></depositor><registrant>RUA Metadata Exporter</registrant></head><body><book book_type="monograph"><book_metadata language="en"><contributors><person_name sequence="first" contributor_role="author"><given_name>Andrew</given_name><surname>Campana</surname><affiliations><institution><institution_name>Cornell University</institution_name><institution_id type="ror">https://ror.org/05bnh6r87</institution_id></institution></affiliations></person_name></contributors><titles><title>Expanding Verse</title><subtitle>Japanese Poetry at the Edge of Media</subtitle></titles><jats:abstract abstract-type="long"><jats:p>Expanding Verse explores experimental poetic practice at key moments of transition in Japan’s media landscape from the 1920s to the present. Andrew Campana centers hybrid poetic forms—many of which have never been examined in detail before—including the cinepoem, the tape recorder poem, the protest performance poem, the music video poem, the online sign language poem, and the augmented reality poem. Drawing together approaches from literary, media, and disability studies, he contends that poetry actively aimed to disrupt the norms of media in each era. For the poets in Expanding Verse, poetry was
not a medium in and of itself but a way to push back against what new media technologies crystallized and perpetuated. Their aim was to challenge dominant conceptions of embodiment and sensation, as well as who counts as a poet and what counts as poetry. Over and over, poetic practice became a way to think about each medium otherwise, and to find new possibilities at the edge of media.</jats:p><jats:p>“Approaches the history of modern Japanese literature from an entirely new angle—media ecologies of poetry. The result is nothing less than an alternative history of literature in Japan as well as a history of media that is by turns surprising and deeply satisfying.” THOMAS LAMARRE, author of The Anime
Ecology: A Genealogy of Television, Animation, and Game Media</jats:p><jats:p>“Expanding Verse is original, timely, and substantial. Warm and inviting— readers will be left feeling much informed about the poets’ respective lives, challenges, and adventures.” ATSUKO SAKAKI, author of Train Travel as Embodied Space-Time in Narrative Theory</jats:p><jats:p>“This book impresses on every page as a stunning work of scholarly rigor and innovative thinking. Andrew Campana rethinks the literary form, challenging us to reconfigure literary and media studies.” JONATHAN E. ABEL, author of The New Real: Media and Mimesis in Japan from Stereographs to Emoji</jats:p><jats:p>ANDREW CAMPANA is Assistant Professor of Japanese Literature and Media at Cornell University.</jats:p></jats:abstract><jats:abstract abstract-type="short"><jats:p>Expanding Verse explores experimental poetic practice at key moments of transition in Japan’s media landscape from the 1920s to the present. Andrew Campana centers hybrid poetic forms—many of which have never been examined in detail before—including the cinepoem, the tape recorder poem, the protest performance poem, the music video poem, the online sign language poem, and the augmented reality poem. Drawing together approaches from literary, media, and disability studies, he contends that poetry actively aimed to disrupt the norms of media in each era. For the poets in Expanding Verse, poetry was
not a medium in and of itself but a way to push back against what new media technologies crystallized and perpetuated. Their aim was to challenge dominant conceptions of embodiment and sensation, as well as who counts as a poet and what counts as poetry. Over and over, poetic practice became a way to think about each medium otherwise, and to find new possibilities at the edge of media.</jats:p><jats:p>“Approaches the history of modern Japanese literature from an entirely new angle—media ecologies of poetry. The result is nothing less than an alternative history of literature in Japan as well as a history of media that is by turns surprising and deeply satisfying.” THOMAS LAMARRE, author of The Anime
Ecology: A Genealogy of Television, Animation, and Game Media</jats:p><jats:p>“Expanding Verse is original, timely, and substantial. Warm and inviting— readers will be left feeling much informed about the poets’ respective lives, challenges, and adventures.” ATSUKO SAKAKI, author of Train Travel as Embodied Space-Time in Narrative Theory</jats:p><jats:p>“This book impresses on every page as a stunning work of scholarly rigor and innovative thinking. Andrew Campana rethinks the literary form, challenging us to reconfigure literary and media studies.” JONATHAN E. ABEL, author of The New Real: Media and Mimesis in Japan from Stereographs to Emoji</jats:p><jats:p>ANDREW CAMPANA is Assistant Professor of Japanese Literature and Media at Cornell University.</jats:p></jats:abstract><publication_date><month>12</month><day>10</day><year>2024</year></publication_date><isbn media_type="print">978-0-520-39921-1</isbn><isbn media_type="electronic">978-0-520-39922-8</isbn><isbn media_type="electronic">978-0-520-39922-8</isbn><isbn media_type="electronic">978-0-520-39922-8</isbn><publisher><publisher_name>University of California Press</publisher_name><publisher_place>Berkeley, CA, USA</publisher_place></publisher><ai:program name="AccessIndicators"><ai:free_to_read /><ai:license_ref>http://creativecommons.org/licenses/by-nc-nd/4.0/</ai:license_ref></ai:program><doi_data><doi>10.1525/luminos.213</doi><resource>https://uplopen.com/books/m/10.1525/luminos.213</resource><collection property="crawler-based"><item crawler="iParadigms"><resource mime_type="application/pdf">https://uplopen.com/books/9487/files/855b6561-af0c-4505-a155-18d0839f9fed.pdf</resource></item></collection><collection property="text-mining"><item crawler="iParadigms"><resource mime_type="application/pdf">https://uplopen.com/books/9487/files/855b6561-af0c-4505-a155-18d0839f9fed.pdf</resource></item></collection></doi_data></book_metadata><content_item component_type="chapter" publication_type="full_text" language="en"><titles><title>Introduction</title></titles><publication_date><month>12</month><day>10</day><year>2024</year></publication_date><doi_data><doi>10.1525/luminos.213.a</doi><resource>https://uplopen.com/chapters/m/10.1525/luminos.213.a</resource><collection property="crawler-based"><item crawler="iParadigms"><resource mime_type="application/pdf">https://uplopen.com/books/9487/files/88100d23-ba42-40a1-a5d1-807d7e3228c0.pdf</resource></item></collection></doi_data></content_item><content_item component_type="chapter" publication_type="full_text" language="en"><titles><title>Against the Screen: Poets Rewriting Cinema in 1920s and 1930s Japan</title></titles><publication_date><month>12</month><day>10</day><year>2024</year></publication_date><doi_data><doi>10.1525/luminos.213.b</doi><resource>https://uplopen.com/chapters/m/10.1525/luminos.213.b</resource><collection property="crawler-based"><item crawler="iParadigms"><resource mime_type="application/pdf">https://uplopen.com/books/9487/files/f95c4b4d-e728-465f-b48b-23e2464f7cd7.pdf</resource></item></collection></doi_data></content_item><content_item component_type="chapter" publication_type="full_text" language="en"><titles><title>The Voice Recomposed: A Lost Tape-Recorder Poem of Postwar Japan</title></titles><publication_date><month>12</month><day>10</day><year>2024</year></publication_date><doi_data><doi>10.1525/luminos.213.c</doi><resource>https://uplopen.com/chapters/m/10.1525/luminos.213.c</resource><collection property="crawler-based"><item crawler="iParadigms"><resource mime_type="application/pdf">https://uplopen.com/books/9487/files/be62ac15-e8e7-403c-b270-f24e6a3d796a.pdf</resource></item></collection></doi_data></content_item><content_item component_type="chapter" publication_type="full_text" language="en"><titles><title>You Forbid Me to Walk: Yokota Hiroshi’s Disability Poetics</title></titles><publication_date><month>12</month><day>10</day><year>2024</year></publication_date><doi_data><doi>10.1525/luminos.213.d</doi><resource>https://uplopen.com/chapters/m/10.1525/luminos.213.d</resource><collection property="crawler-based"><item crawler="iParadigms"><resource mime_type="application/pdf">https://uplopen.com/books/9487/files/515a39b8-5eab-47e2-87f8-e7f21a2e98f7.pdf</resource></item></collection></doi_data></content_item><content_item component_type="chapter" publication_type="full_text" language="en"><titles><title>As a Piece of Flesh: Feminist Poetic Stardom and the Body</title></titles><publication_date><month>12</month><day>10</day><year>2024</year></publication_date><doi_data><doi>10.1525/luminos.213.e</doi><resource>https://uplopen.com/chapters/m/10.1525/luminos.213.e</resource><collection property="crawler-based"><item crawler="iParadigms"><resource mime_type="application/pdf">https://uplopen.com/books/9487/files/d047037b-54b0-470d-8445-8246acf62eb1.pdf</resource></item></collection></doi_data></content_item><content_item component_type="chapter" publication_type="full_text" language="en"><titles><title>World Webs: Augmented Reality Poetry and Japanese Sign Language Poetry Online</title></titles><publication_date><month>12</month><day>10</day><year>2024</year></publication_date><doi_data><doi>10.1525/luminos.213.f</doi><resource>https://uplopen.com/chapters/m/10.1525/luminos.213.f</resource><collection property="crawler-based"><item crawler="iParadigms"><resource 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